{"id":154,"date":"2025-09-12T18:00:37","date_gmt":"2025-09-12T16:00:37","guid":{"rendered":"http:\/\/151.80.18.46\/?p=154"},"modified":"2025-10-10T10:45:30","modified_gmt":"2025-10-10T08:45:30","slug":"dalloway-un-thriller-passionnant-remarquablement-interprete","status":"publish","type":"post","link":"https:\/\/www.zigzart.fr\/?p=154","title":{"rendered":"\u00ab\u00a0DALLOWAY\u00a0\u00bb:  un thriller passionnant, remarquablement interpr\u00e9t\u00e9 ."},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1696\" height=\"1272\" data-id=\"155\" src=\"https:\/\/www.zigzart.fr\/wp-content\/uploads\/2025\/09\/IMG_5850.jpeg\" alt=\"\" class=\"wp-image-155\"\/><\/figure>\n<\/figure>\n\n\n\n<p>Yann Gozian et Cecile de France pr\u00e9sentent \u00ab\u00a0Dalloway\u00a0\u00bb \u00e0 Lyon le 3\/9 . (photo JFM )<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n<p>\u00ab\u00a0Dalloway\u00a0\u00bb est un thriller, c\u2019est-\u00e0-dire &#8211; selon Wikip\u00e9dia ( je n\u2019ai pas os\u00e9 consulter l\u2019I.A ! ) &#8211; un film \u00ab\u00a0utilisant la tension narrative pour provoquer chez le spectateur une appr\u00e9hension et le tenir en haleine jusqu\u2019au d\u00e9nouement de l\u2019intrigue \u00bb.\u00a0Et c\u2019est ce que le film r\u00e9ussit \u00e0 la perfection<span class=\"Apple-converted-space\">\u00a0 <\/span>: d\u00e8s les premi\u00e8res images, on s\u2019attache \u00e0 Clarisse, une romanci\u00e8re en mal d\u2019inspiration qui est re\u00e7ue en r\u00e9sidence dans une luxueuse et ultra-moderne fondation pour artistes o\u00f9 elle retrouvera &#8211; esp\u00e8re-t-elle &#8211; l\u2019inspiration. Pour cela, on lui offre une \u00ab assistante \u00e9lectronique \u00bb qu\u2019elle baptise \u00ab Dalloway \u00bb en hommage \u00e0 Virginia Woolf sur laquelle elle tente d\u2019\u00e9crire. Une \u00e9trange complicit\u00e9 se noue entre la romanci\u00e8re, tr\u00e8s solitaire et fragile, et la machine qui lui parle d\u2019une voix bienveillante et chaleureuse\u2026<\/p>\n<p>La r\u00e9ussite d\u2019une entreprise de la sorte repose d\u2019abord sur un sc\u00e9nario tr\u00e8s efficace . Yann Gozian, le r\u00e9alisateur, l\u2019a \u00e9crit (avec Nicolas Bouvet et Thomas Kruithof) \u00e0 partir d\u2019un roman de Tatiana de Rosnay qui se nourrit habilement des angoisses d\u2019aujourd\u2019hui : pand\u00e9mie ou r\u00e9chauffement climatique sont \u00e9voqu\u00e9s en plus des interrogations sur la place de la technologie dans nos vies quotidiennes .<\/p>\n<p>Mais ce qui fait que le spectateur rentre dans le jeu, c\u2019est l\u2019interpr\u00e9tation : il faut que l\u2019on s\u2019identifie au h\u00e9ros, qu\u2019on partage ses \u00e9motions , ses d\u00e9couvertes, ses inqui\u00e9tudes puis son angoisse, sinon \u00e7a ne \u00ab\u00a0marche\u00a0\u00bb pas, on reste ext\u00e9rieur \u00e0 l\u2019histoire, aussi intelligente soit elle ! Et l\u00e0 Gozian a excell\u00e9, en confiant le r\u00f4le de Clarisse \u00e0 C\u00e9cile de France. Cette grande actrice d\u00e9ploie dans le film toute l\u2019\u00e9tendue de son talent, r\u00e9v\u00e9lant avec justesse toute une palette d\u2019\u00e9motions, sans jamais \u00ab\u00a0en faire trop\u00a0\u00bb, toute en retenue, avec un sens aigu de la justesse . Une magnifique performance d\u2019actrice, du grand art ! Mais si C\u00e9cile de France est souvent seule \u00e0 l\u2019\u00e9cran ( qu\u2019elle ne quitte pas du d\u00e9but \u00e0 la fin du film), elle ne joue pas en solitaire : elle est presque constamment en dialogue avec Dalloway, son assistante invisible \u00e0 la voix harmonieuse. Car &#8211; miracle de l\u2019I.A. &#8211; les choses ont bien \u00e9volu\u00e9 depuis 2001 : la machine n\u2019a plus le d\u00e9bit saccad\u00e9 et l\u2019accent m\u00e9canique de l\u2019ordinateur du film de Kubrick ! Dalloway parle comme vous et moi, ses intonations sont vari\u00e9es , son ton spontan\u00e9 \u2026.et c\u2019est tr\u00e8s troublant . Pour tenir ce r\u00f4le car, nous a dit Gozian, \u00ab c\u2019est un personnage \u00e0 part enti\u00e8re\u00a0\u00bb &#8211; le r\u00e9alisateur a fait appel \u00e0 Mil\u00e8ne Farmer, qu\u2019il avait entendue dans une interview et dont il avait admir\u00e9 \u00ab\u00a0 la grande pr\u00e9cision de la diction\u00a0\u00bb. La chanteuse a int\u00e9gralement enregistr\u00e9 les r\u00e9pliques de Dalloway avant le tournage et c\u2019est \u00e0 travers une oreillette que s\u2019est d\u00e9roul\u00e9 son dialogue avec C\u00e9cile de France.<\/p>\n<p>\u00ab\u00a0Dalloway\u00a0\u00bb est un film passionnant, qui, mine de rien, nous pousse \u00e0 nous poser des questions fondamentales, \u00ab\u00a0une m\u00e9taphore du conflit entre les hommes &#8211; avec un grand H &#8211; et la machine\u00a0\u00bb, dit Gozan avant d\u2019ajouter \u00ab\u00a0c\u2019est quoi notre singularit\u00e9 en tant qu\u2019\u00eatres humains quand nous avons perdu le monopole du langage ? \u00bb.\u00a0 Vastes questions qui ne g\u00e2chent en aucune fa\u00e7on le plaisir qu\u2019on a \u00e0 voir le film !<\/p>\n<p>Jean-Fran\u00e7ois Martinon<\/p>","protected":false},"excerpt":{"rendered":"<p>Yann Gozian et Cecile de France pr\u00e9sentent \u00ab\u00a0Dalloway\u00a0\u00bb \u00e0 Lyon le 3\/9 . (photo JFM ) \u00ab\u00a0Dalloway\u00a0\u00bb est un thriller, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":159,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=154"}],"version-history":[{"count":5,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/154\/revisions"}],"predecessor-version":[{"id":330,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/154\/revisions\/330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/media\/159"}],"wp:attachment":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}