{"id":1734,"date":"2026-09-25T16:54:40","date_gmt":"2026-09-25T14:54:40","guid":{"rendered":"https:\/\/www.zigzart.fr\/?p=1734"},"modified":"2026-09-23T23:01:35","modified_gmt":"2026-09-23T21:01:35","slug":"notre-salut-un-glacant-voyage-au-bout-de-la-collaboration","status":"publish","type":"post","link":"https:\/\/www.zigzart.fr\/?p=1734","title":{"rendered":"\u00ab\u00a0NOTRE SALUT\u00a0\u00bb, un gla\u00e7ant voyage au bout de la collaboration !"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"3403\" height=\"2124\" src=\"https:\/\/www.zigzart.fr\/wp-content\/uploads\/2026\/09\/IMG_7777.jpeg\" alt=\"\" class=\"wp-image-1737\"\/><figcaption class=\"wp-element-caption\">Emmanuel Marre et Swann Arlaud pr\u00e9sentent le film au Comoedia, le 28 ao\u00fbt ( photo JFM )<\/figcaption><\/figure>\n\n\n<p>L\u2019origine de ce film est singuli\u00e8re : Emmanuel Marre est tomb\u00e9 sur la correspondance de ses arri\u00e8re-grands-parents : quelques 300 lettres \u00e9chang\u00e9es pendant la guerre entre Henri Marre et sa femme. En 1940, Henri Marre, qui n\u2019a jusqu&rsquo;alors rien fait de sa vie que de d\u00e9penser la dot de sa femme, pense d\u00e9tenir les solutions miracles pour reformer l\u2019\u00e9conomie et la soci\u00e9t\u00e9 fran\u00e7aise : il les expose dans un petit livre \u00e9dit\u00e9 \u00e0 compte d\u2019auteur (ce qui ach\u00e8ve de mettre en p\u00e9ril la tr\u00e9sorerie du m\u00e9nage ) qui n&rsquo;a aucun succ\u00e8s. L\u2019av\u00e8nement de l\u2019\u00c9tat fran\u00e7ais lui semble \u00eatre une occasion de mettre en pratique ses th\u00e9ories : il se pr\u00e9cipite \u00e0 Vichy, clame haut et fort son attachement au Mar\u00e9chal et parvient non sans mal \u00e0 s\u2019ins\u00e9rer dans l\u2019administration du nouveau r\u00e9gime o\u00f9 il va faire carri\u00e8re sans faire preuve de la moindre originalit\u00e9 mais en appliquant sans \u00e9tat d\u2019\u00e2me<span class=\"Apple-converted-space\">\u00a0 <\/span>les consignes, toujours plus brutales , du nouveau pouvoir \u00a0jusqu\u2019\u00e0 se retrouver, \u00e0 la fin de la guerre, dans la fraction la plus ultra de la collaboration.<\/p>\n<p>Les lettres authentiques des \u00e9poux Marre forment la base du film : elles commentent , en voix off, les s\u00e9quences du r\u00e9cit qui ne sont que leur mise en image. Ce proc\u00e9d\u00e9 fait \u00e0 la fois l\u2019int\u00e9r\u00eat et la limite du film : il lui donne une forte authenticit\u00e9, un point de vue terre \u00e0 terre sur ce qui se passe, sans commentaire suppl\u00e9mentaire \u00e0 posteriori. Mais en m\u00eame temps, il limite singuli\u00e8rement les informations dont nous disposons.<span class=\"Apple-converted-space\">\u00a0 <\/span>Si sa femme est souvent naturelle, spontan\u00e9e, Henry Marre, lui, se livre peu, il est avare d\u2019explications sur son travail et laisse rarement deviner ses sentiments et ses espoirs. Du coup, il est difficile de comprendre son \u00e9volution, sans conna\u00eetre ses justifications<span class=\"Apple-converted-space\">\u00a0 <\/span>ni d\u2019\u00e9ventuels scrupules. On est d\u2019autant plus saisi d\u2019horreur devant les transformations \u00a0du personnage : en moins de quatre ans, cet individu<span class=\"Apple-converted-space\">\u00a0 <\/span>falot , qui se disait patriote et moderniste, pas particuli\u00e8rement admirateur de l\u2019Allemagne, se m\u00e9tamorphose en un rouage servile et efficace,<span class=\"Apple-converted-space\"> de \u00a0<\/span>l\u2019effroyable machine nazie !<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Swann Arlaud incarne brillamment le personnage d\u2019Henry Marre : terne, opaque, renferm\u00e9, ne laissant<span class=\"Apple-converted-space\">\u00a0 <\/span>rien transpara\u00eetre de ses sentiments et de ses projets. \u00ab\u00a0 L\u2019id\u00e9e n\u2019\u00e9tait pas de coller \u00e0 l\u2019image d\u2019un personne ayant exist\u00e9 \u00bb,\u00a0 nous a-t-il dit. De fait, son personnage semble \u00eatre de tous les temps et de toutes les \u00e9poques. d&rsquo;autant plus que le r\u00e9alisateur ne s\u2019attache pas \u00e0 reconstituer scrupuleusement le contexte de l\u2019Occupation : au contraire, il s\u2019autorise quelques anachronismes volontaires ( dans le vocabulaire et , surtout, dans la musique ) comme pour donner un sens intemporel \u00e0 ce qu\u2019il nous dit . N\u2019a-t-il pas conclut sa pr\u00e9sentation du film au festival de Cannes d\u2019un vigoureux \u00ab PLUS JAMAIS \u00c7A \u00bb ! on ne peut qu&rsquo;approuver !<\/p>\n<p>Un film passionnant, \u00e0 ne pas manquer<\/p>\n<p>Jean-Fran\u00e7ois Martinon<\/p>","protected":false},"excerpt":{"rendered":"<p>L\u2019origine de ce film est singuli\u00e8re : Emmanuel Marre est tomb\u00e9 sur la correspondance de ses arri\u00e8re-grands-parents : quelques 300 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1735,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1734"}],"version-history":[{"count":6,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1734\/revisions"}],"predecessor-version":[{"id":1742,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1734\/revisions\/1742"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/media\/1735"}],"wp:attachment":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}