{"id":1807,"date":"2026-10-02T16:49:27","date_gmt":"2026-10-02T14:49:27","guid":{"rendered":"https:\/\/www.zigzart.fr\/?p=1807"},"modified":"2026-10-02T17:40:28","modified_gmt":"2026-10-02T15:40:28","slug":"heros-du-quotidien","status":"publish","type":"post","link":"https:\/\/www.zigzart.fr\/?p=1807","title":{"rendered":"H\u00e9ros du quotidien"},"content":{"rendered":"\n<p>Pour sa derni\u00e8re cr\u00e9ation au TNP, Jean&nbsp;Bellorini cr\u00e9e <em>Une&nbsp;petite&nbsp;affaire<\/em>, d&rsquo;apr\u00e8s <em>Seul dans Berlin<\/em> de Hans&nbsp;Fallada.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"3000\" height=\"2001\" src=\"https:\/\/www.zigzart.fr\/wp-content\/uploads\/2026\/10\/Une_petite_affaire_5\u00a9Christophe_Raynaud_de_Lage.jpg\" alt=\"\" class=\"wp-image-1802\" style=\"aspect-ratio:4\/3;object-fit:cover\"\/><\/figure>\n\n\n\n<p>C\u2019est un beau cadeau que Jean Bellorini fait \u00e0 ceux qui ont suivi son travail depuis son arriv\u00e9e \u00e0 la t\u00eate du TNP. D\u00e9couvrir le grand texte de Hans&nbsp;Fallada est en soi une chance&nbsp;: sans retracer la biographie de l\u2019auteur, disons que cet auteur allemand du XX\u00b0 si\u00e8cle s\u2019int\u00e9ressa de pr\u00e8s \u00e0 la vie et \u00e0 la r\u00e9sistance des petites gens sous le nazisme.<br>Et c\u2019est bien de cela que traite le roman que met en sc\u00e8ne Jean Bellorini. Reprenant les acteurs qui avaient fait merveille dans <em>Les Mis\u00e9rables<\/em>, Camille&nbsp;de&nbsp;la&nbsp;Guilloni\u00e8re et Clara&nbsp;Meyer, il relate le proc\u00e8s des \u00e9poux Quangel apr\u00e8s leur arrestation pour activit\u00e9 ill\u00e9gale.<\/p>\n\n\n\n<p>La mani\u00e8re de raconter de Bellorini est tr\u00e8s efficace. Le d\u00e9but de la pi\u00e8ce nous pr\u00e9sente le couple assis \u00e0 des bureaux d\u2019\u00e9colier. Ils viennent de recevoir une lettre. Occasion de nous en dire plus sur eux&nbsp;: Otto, soup\u00e7onnant qu\u2019il s\u2019agit d\u2019une lettre de leur fils parti au front, lui donne la lettre, pour qu\u2019elle en ait la primeur. Nous en d\u00e9couvrons le contenu sur le visage d\u2019Anna qui ne peut exprimer \u00e0 voix haute ce qu\u2019elle vient de lire. Son visage se d\u00e9compose.<\/p>\n\n\n\n<p>Moment d\u2019une grande intensit\u00e9 tragique, notamment gr\u00e2ce aux deux com\u00e9diens.<\/p>\n\n\n\n<p>Pour quelle raison Otto imagine-t-il une suite \u00e0 ce deuil terrible&nbsp;? Il ne le dit pas mais le projet de d\u00e9poser dans les immeubles de Berlin des cartes postales d\u00e9non\u00e7ant le r\u00e9gime hitl\u00e9rien s\u2019impose. Hitler a tu\u00e9 leur fils. Tous deux imaginent, en toute connaissance de cause des risques qu\u2019ils prennent, le mode op\u00e9ratoire, et cela suffit \u00e0 att\u00e9nuer leur chagrin. La tristesse devient le bras arm\u00e9 de leur r\u00e9sistance.<\/p>\n\n\n\n<p>Puis les voil\u00e0 face au Pr\u00e9sident de la Cour incarn\u00e9 par Jacques Hadjaje, impressionnant par sa carrure et sa violence, qui \u00e9ructe l\u2019explication des faits, plac\u00e9 au milieu des spectateurs, en position dominante donc. Avec une hargne, une vindicte, un m\u00e9pris qui s\u2019opposent \u00e0 la tranquillit\u00e9 apparente de Otto et Anna, habitu\u00e9s \u00e0 subir, comme toutes les petites gens.<\/p>\n\n\n\n<p>Mais aussi tout-\u00e0-fait d\u00e9termin\u00e9s \u00e0 aller au bout des choses. On sent progressivement monter en eux une insolence insoup\u00e7onn\u00e9e. Et cela ajoute de l\u2019humour \u00e0 ce spectacle, bien noir en v\u00e9rit\u00e9. Cet humour est bienvenu d\u2019autant qu\u2019il sert, non \u00e0 faire rire, mais \u00e0 faire grandir \u00e0 nos yeux Anna et Otto. De victimes, ils deviennent des h\u00e9ros. Pas grandioses, mais h\u00e9ros quand m\u00eame. De petites gens indistincts, ils deviennent attachants et remarquables par leur courage.<\/p>\n\n\n\n<p>Quand il adapte, Bellorini garde la 3\u00b0 personne pour faire parler ses personnages. Cela cr\u00e9e comme une distance entre le com\u00e9dien et son r\u00f4le, ainsi qu\u2019avec le spectateur. Loin d\u2019\u00e9loigner les uns des autres, il y a comme une pudeur qui touche profond\u00e9ment. Et conf\u00e8re une impression de reportage, et donc de v\u00e9racit\u00e9.<\/p>\n\n\n\n<p>Si l\u2019on peut regretter l\u2019importance des d\u00e9cors dans la derni\u00e8re partie et la longue prestation des quatre violoncelles, excellents il est vrai, mais dont la pr\u00e9sence ne se justifie pas, cette petite affaire est assur\u00e9ment un grand spectacle. Qui aurait pu en douter&nbsp;?<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><em>Une&nbsp;petite&nbsp;affaire<\/em> d\u2019apr\u00e8s <em>Seul&nbsp;dans&nbsp;Berlin<\/em> de Hans&nbsp;Fallada \u00a9 \u00c9ditions&nbsp;Gallimard<br>Traduction Laurence&nbsp;Courtois<br>Mise en sc\u00e8ne Jean&nbsp;Bellorini<br>Avec Jacques&nbsp;Hadjaje, Camille&nbsp;de&nbsp;la&nbsp;Guilloni\u00e8re, Clara&nbsp;Meyer<br>Et les trombonistes Tanguy&nbsp;Boisseranc, Jo\u00ebl&nbsp;Castaingts, Lili Soletti en alternance avec Martin Gillet, Nicolas Trepp<\/summary>\n<p><\/p>\n<\/details>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour sa derni\u00e8re cr\u00e9ation au TNP, Jean&nbsp;Bellorini cr\u00e9e Une&nbsp;petite&nbsp;affaire, d&rsquo;apr\u00e8s Seul dans Berlin de Hans&nbsp;Fallada. C\u2019est un beau cadeau que [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1802,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[11,14],"tags":[],"class_list":["post-1807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lyon","category-theatre"],"_links":{"self":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1807"}],"version-history":[{"count":2,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1807\/revisions"}],"predecessor-version":[{"id":1812,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1807\/revisions\/1812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/media\/1802"}],"wp:attachment":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}