{"id":1836,"date":"2026-10-10T19:11:53","date_gmt":"2026-10-10T17:11:53","guid":{"rendered":"https:\/\/www.zigzart.fr\/?p=1836"},"modified":"2026-10-10T19:23:44","modified_gmt":"2026-10-10T17:23:44","slug":"lampedusa-creuset-nevralgique","status":"publish","type":"post","link":"https:\/\/www.zigzart.fr\/?p=1836","title":{"rendered":"Lampedusa creuset n\u00e9vralgique"},"content":{"rendered":"\n
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A ce stade de la nuit \u00a9 Guillaume Bosson<\/figcaption><\/figure>\n\n\n\n

L’actrice Sophie Cattani s’empare du texte poignant de Maylis de Kerangal, \u00c0 ce stade de la nuit<\/em>, avec un peintre kurde irakien en exil, Mahmoud Peshawa qui r\u00e9alise chaque soir en direct un tableau \u00ab\u00a0\u00e9ph\u00e9m\u00e8re\u00a0\u00bb. Ensemble ils racontent \u00e0 travers la trag\u00e9die des migrants cherchant asile en Europe, le destin de l’\u00eele de Lampedusa.<\/p>\n\n\n\n

Si les conditions de cr\u00e9ation et le texte lui-m\u00eame, bien s\u00fbr, \u00e9voquent un naufrage au large de cette \u00eele sicilienne et la mort de plusieurs centaines de personnes, le spectacle ne verse pas dans le pathos pour autant mais incite plut\u00f4t \u00e0 la r\u00e9flexion. Tout d’abord, il s’ouvre sur des images du d\u00e9but du Gu\u00e9pard<\/em>, le film magnifique de Visconti. Le personnage principal, grand aristocrate du XIX\u00b0, y assiste, impuissant, \u00e0 la fin d’un monde, le sien. Se croisent alors dans son ch\u00e2teau ceux qui sont sur le d\u00e9clin et la nouvelle g\u00e9n\u00e9ration qui va prendre leur place. Le spectacle ainsi d\u00e9centr\u00e9 est politiquement centr\u00e9 et d\u00e9sesp\u00e9r\u00e9 : \u00ab\u00a0il faut que tout change\u2026 pour que rien ne change<\/em>\u00ab\u00a0. Il se fermera que une autre oeuvre artistique, celle du peintre Mahmoud Peshawa qui, entr\u00e9 \u00e0 pas feutr\u00e9 sur le plateau, a longuement peint des figures incompr\u00e9hensibles dont nous avons la r\u00e9v\u00e9lation \u00e0 la fin : ce sont des \u00eatres humains qui nous regardent et, ce faisant, nous interpellent. Leur facture pr\u00e9sente une similitude, une fraternit\u00e9? avec Le cri<\/em> d’Edvard Munch.<\/p>\n\n\n\n

Revenons sur l’interpr\u00e9tation de Sophie Cattani qui ne se contente pas de dire ou de dire, mais offre la multiplicit\u00e9 des sentiments exprim\u00e9s par l’autrice, de l’effroi \u00e0 la col\u00e8re, de la tristesse au d\u00e9sarroi. Elle joue v\u00e9ritablement, et fort bien, ce \u00ab\u00a0personnage\u00a0\u00bb.<\/p>\n\n\n\n

C’est un tr\u00e8s beau spectacle, sensible et artistiquement r\u00e9ussi, puissant et sobre, riche de toutes ses r\u00e9f\u00e9rences comme autant de continuit\u00e9s.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Th\u00e9\u00e2tre des Marronniers jusqu’au 18 octobre les dimanches 11 et 18, ainsi que les jeudi, vendredi et samedi<\/p>\n\n\n\n


<\/p>\n\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

L’actrice Sophie Cattani s’empare du texte poignant de Maylis de Kerangal, \u00c0 ce stade de la nuit, avec un peintre kurde […]<\/p>\n","protected":false},"author":4,"featured_media":1839,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[11,22,14],"tags":[],"class_list":["post-1836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lyon","category-seule-en-scene","category-theatre"],"_links":{"self":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1836"}],"version-history":[{"count":7,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1836\/revisions"}],"predecessor-version":[{"id":1849,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/posts\/1836\/revisions\/1849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=\/wp\/v2\/media\/1839"}],"wp:attachment":[{"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zigzart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}